|
ONE-PERSON EXHIBITIONS
|
2015 |
Umbrella Arts, New York, NY |
2015 |
Salena Gallery, Long Island University, Brooklyn, NY |
2014 |
BWA Galeria Sztuki w Olsztynie, Olsztyn, Poland |
2012 |
Gallery Tomos, Tokyo, Japan |
2011 |
Ryu Gallery, Fujinomiya, Shizuoka, Japan |
2010 |
Muzeum Narodowe w Gdańsku (National Museum), Gdańsk, Poland |
2010 |
Gallery 1401, The University of the Arts, Philadelphia, PA |
2010 |
Erlin Galéria, Budapest, Hungary |
2008 |
Gallery Tomos, Tokyo, Japan |
2007 |
Nessim Galéria, Budapest, Hungary |
2007 |
ART9 Galéria, Budapest, Hungary, as part of Kortárs Művészetek Fesztiválja |
2007 |
The Sirens’ Song Gallery, Greenport, NY |
2006 |
Safe-T-Gallery, Brooklyn, NY |
2006 |
Kaunas Photo Days 2006, Kaunas, Lithuania |
2006 |
Taigh Chearsabhagh Arts Centre, Lochmaddy, North Uist, Scotland |
2006 |
An Tobar Arts Centre, Tobermory, Isle of Mull, Scotland |
2004 |
Gallery SoHo, Sopot, Poland |
2004 |
Gallery Mm, Gdańsk, Poland |
2004 |
Johnson County Community College, Overland Park, KS |
2003 |
George B. Dorr Museum of Natural History, College of the Atlantic, Bar Harbor, ME |
1999 |
Hampshire College, Amherst, MA |
1999 |
Art Under Construction, New York, NY |
1998 |
St. John's University, Queens, NY |
1998 |
Manhattan Graphics Center, New York, NY |
1995 |
North Idaho College, Coeur d'Alene, ID
|
1994 |
Classic Stage Company, New York, NY
|
1985 |
Around the Clock Café and Gallery, New York, NY
|
TWO-PERSON EXHIBITIONS
|
2008 |
Lorinda Knight Gallery, Spokane, WA |
2002 |
Silver Eye Center for Photography, Members Gallery, Pittsburgh, PA |
1993 |
A/c Projectroom, New York, NY, January - May |
1992 |
A/c Projectroom, New York, NY, October - December |
1988 |
Galerie Edison, The Hague, The Netherlands |
1988 |
Galerie Biervliet, Amsterdam, The Netherlands |
1983 |
Small Walls Gallery, New York, NY |
SELECTED GROUP EXHIBITIONS AND DISTINCTIONS
|
2015 |
"Off the Grid," Umbrella Arts, New York, NY, January 29 – February 28
|
2015 |
Metro Show (with Umbrella Arts), Metropolitan Pavilion, New York, NY, January 21 – 25
|
2011 |
“The View Project,” Palm Beach Photographic Center, Naples, FL, curated by Joyce Tenneson,
August 26 – November 15
|
2010 |
“The View Project,” Naples Museum of Art, Naples, FL, curated by Joyce Tenneson, December
18, 2010 – March 13, 2011
|
2009 |
International Invitational Works on Paper, University of Hawai’i, Hilo, HI, September, 2009 -
April, 2010
“Book Review,” Floyd Memorial Library and The Sirens’ Song Gallery, Greenport, NY, July 3 -
August 3
“Night Moves: Exploring the Horizon,” Safe-T-Gallery, Brooklyn, NY, in conjunction with the
publication of Night and Low-Light Photography: Professional Techniques from Experts for
Artistic and Commercial Success, Watson-Guptill, March 5 - April 11
“Print Types,” Park University, Parkville, MO |
2008 |
“photographers: network Selections 2008,” Atelier Friedrichstrasse Siegen, Siegen, Germany;
juried by Thomas Gerwers, Profifoto, Germany; Michael Mazzeo, peer Gallery, New York;
Irina Tchmyreva, Moscow Museum of Modern Art; and Thomas Kellner, June 28 - July 28
“All About Eve,” The Sirens’ Song Gallery, Greenport, NY, July 4 – August 3 |
2007 |
“S-T-G V: The Safe-T-Gallery Fifth Anniversary Prints and Photographs Show,” Safe-T-Gallery,
Brooklyn, NY, December 13 – 30
Art Now Fair (with Safe-T-Gallery), Miami Beach, FL, December 6 – 9
“Reflections from the Well,” An Tobar Arts Centre, Tobermory, Isle of Mull, Scotland,
November 8 - December 31
“Singular Objects,” Brooklyn College, Brooklyn, NY, May 30 - September 15
“Library,” Proteus Gowanus, Brooklyn, NY, April - May
“Night Vision: Printing Darkness,” Center for Contemporary Printmaking, Norwalk, CT, juried
by Anthony Kirk, January 20 - March 3 |
2006 |
10th Annual Friends of Friends Photo Auction (to benefit Kenro Izu’s Angkor Hospital for
Children in Cambodia), Metropolitan Pavilion, New York, NY, December 12
“High and Dry: A Photographic Exhibition of Landscapes & Peoples of the World’s Dry Lands,”
The International Cultural Center, Texas Tech University, Lubbock, TX, juried by June Van
Cleef, November 10, 2006 - January 17, 2007
Honorable Mention, International Photography Awards 2006, in both the Nature – Landscape
and Fine Art - Landscape categories for the series “Moonlight;” selected from over 15,000
entrants from around the world
“Multiple Encounters: Indo-US Print Exhibition in India,” Red Earth Art Galleries, Baroda, India,
October 11 - 20
Photography Now: one hundred portfolios, a DVD-ROM created and distributed by Wright State
University, Dayton, OH; selected from nearly 1,300 photographers representing 60 countries;
October
Honorable Mention, 2006 HCP Photography Fellowship, sponsored by Houston Center for
Photography; online exhibition, juried by Wendy Watriss and Fred Baldwin, August 11 –
September 17
“The Earth,” FotoFest at Winter Street Studios, Houston, TX, March 11 - April 23
“Multiple Encounters: Indo-US Print Exhibition in India,” Rajasthan Lalit Kala Akademy &
Jawahar Kala Kendra, Jaipur, India, February 8-13 |
2005 |
9th Annual Friends of Friends Photo Auction (to benefit Kenro Izu’s Angkor Hospital for
Children in Cambodia), Metropolitan Pavilion, New York, NY, December 13
“Le Mois de l’Estampe,” Atelier Lacourière Frélaut, Paris, France
“Dialogue: Paris & New York,” Salena Gallery, Long Island University, Brooklyn, NY; The
Center for Book Arts, New York, NY; and Abrons Art Center, New York, NY; curated by
Maddy Rosenberg; October - December
“Print Types,” Ashford University, Clinton, IA; November 7 - December 2
“New Prints 2005/Spring,” International Print Center, New York, NY, juried by Kiki Smith,
May 4 - June 15
“Multiple Encounters: Indo-US Print Exhibition in India,” Government College of Art &
Department of Fine Art, Chandigarh, India, February - March
The Boston Printmakers’ 2005 North American Print Biennial, Boston University 808 Gallery,
Boston, MA, (juried by Joann Moser, Senior Curator, Graphic Arts, Smithsonian American
Art Museum, Washington, DC), February 13 - March 27 |
2004 |
Wooster Arts Space, New York, NY, November 13, 2004 - January 15, 2005
Fifth International MiniPrint Triennial (MiniPrint Finland 2004), Lahti Art Museum, Lahti,
Finland, November 11, 2004 - January 16, 2005; juried by Paula Martikainen, Reijo Mörö,
Hjalmar de Kort, Rosanne Retz, and Ulla Aartomaa
“Multiple Encounters,” Indira Gandhi National Centre for the Arts, New Delhi, India; November
2 - December 2
8th Annual Friends of Friends Photo Auction (to benefit Kenro Izu’s Angkor Hospital for
Children in Cambodia), Metropolitan Pavilion, New York, NY, December 7
“Multiple Encounters,” American Center, New Delhi, India
Print National 2004, Lancaster Museum of Art, Lancaster, PA, juried by Mark Pascale (Associate
Curator of Prints and Drawings, Art Institute of Chicago), August 7 - September 12
III Biennale d’Arte Fotografica del Mediterraneo, online exhibition; juried by Darja Lesnik, Dario
Elia, Lucia Cantone, Katarzyna Jasmina Gubernat, and Joao Moura
Benefit Auction for Silver Eye Center for Photography, Pittsburgh, PA; May 22
“Viewpoint 2004,” Bosque Conservatory Juried Photography Show, Clifton, TX, juried by Roy
Flukinger, Senior Curator of Photography and Film of the Harry Ransom Humanities
Research Center at The University of Texas, Austin, TX, March 27 - April 18 “Alternative Processes: A Traveling Exhibit,” Options Gallery, Odessa, TX, juried by
Christopher James (Chair of Photography at The Art Institute of Boston at Lesley University
and author of Alternative Photographic Processes) for Texas Photographic Society, March 22
- May 31
Bethesda International Photography Competition, Fraser Gallery, Bethesda, MD, juried by
William F. Stapp, former curator of photographs for the National Portrait Gallery, March 12 -
April 7
19th Annual International Exhibition, The University of Texas, Tyler, TX, juried by James Pink,
Prof. of Art, University of Nevada at Las Vegas, February 23 - April 2
“Alternative Processes: A Traveling Exhibit,” University Gallery, University of North Florida,
Jacksonville, FL, juried by Christopher James (Chair of Photography at The Art Institute of
Boston at Lesley University and author of Alternative Photographic Processes) for Texas
Photographic Society, January 15 - February 18
Toledo Friends of Photography 2004 National Juried Photographic Exhibition, University of
Toledo’s Center for the Visual Arts, Toledo, OH, juried by Albert Chong, January 2 -
January 30
“Print Types,” Dickenson State University, Dickenson, ND; January 1 - January 31 |
2003 |
“TPS 12: The National Competition,” juried by Stephen Perloff, Editor, The Photo Review and
The Photograph Collector; for Texas Photographic Society; Center for Contemporary Art, Abilene, TX; December 1, 2003 - January 31, 2004
2nd International Photography Exhibition (Uluslararasi Fotograf Yarismasi Sonuçlari), Yildiz Technical University, Istanbul, Turkey; December 16, 2003 - January 29, 2004
“High and Dry: A Photographic Exhibition of Landscapes & Peoples of the World’s Dry Lands,” The International Cultural Center, Texas Tech University, Lubbock, TX, juried by Jean
Caslin, Executive Director, Houston Center for Photography, November 19, 2003 - January 16,
2004 “Surrealistic Nocturne,” online exhibit of night photography juried by Michael S. Bell (former assistant curator, Museum of Modern Art, San Francisco): http//www.thenocturnes.com/surrealnocturne.htm
Ninth Annual Juried Photography Competition, Texas Artists Museum, Port Arthur, TX, juried by Gayletta Simmons, November 4 - 26
Washington Gallery of Photography’s National Juried Show, Washington School of Photography, Bethesda, MD; October 10 - November 7 “Director’s Choice,” Missouri Western State College, St. Joseph, MO; October 6 - 31 “TPS 12: The National Competition,” juried by Stephen Perloff, Editor, The Photo Review and
The Photograph Collector; for Texas Photographic Society; Chase Bank Art Corridor, San Antonio, TX; September 7 - November 2 “Alternative Processes: A Traveling Exhibit,” River City Silver Gallery, San Antonio, TX; juried by Christopher James (Chair of Photography at The Art Institute of Boston at Lesley University and author of Alternative Photographic Processes) for Texas Photographic
Society; September 1 - November 3 “Time and Space,” Southeast Museum of Photography, Daytona Beach, FL; June 10 - September 5 “Photogravure 2003,” Manhattan Graphics Center, New York, NY; May 1 - May 31
4th Egyptian International Print Triennale, Galleries of the Sector of Fine Arts, Cairo, Egypt; March 29 - May 29 “Alternative Processes: A Traveling Exhibit,” Options Gallery, Odessa College, Odessa, TX; juried by Christopher James (Chair of Photography at The Art Institute of Boston at Lesley University and author of Alternative Photographic Processes) for Texas Photographic Society |
2002 |
18th Annual Members Only Show, Texas Photographic Society, Chamizal National Memorial, El Paso, TX; juried by William R. Thompson, curator (formerly Chief Curator, El Paso Museum of Art); December 19, 2002 – January 31, 2003
Invitational Exhibition (from The Russell-Cotes Museum, Bournemouth, England), Gallery Majsternia, Kiev, Ukraine; curated by Mark Brill; December 10 - December 30 “Naked,” Glenn Horowitz Gallery, East Hampton, NY; curated by Graham Leader; November
30, 2002- February 3, 2003
The 12th Space International Print Biennial, Sungkok Museum, Seoul, Korea; November 5 - November 24 “Contemporary Printmaking,” Chung-Cheng Art Gallery, St. John’s University, Jamaica, NY; curated by Diane Miller; November 4, 2002 - January 3, 2003
Pacific States Biennial National Print Exhibition, University of Hawai’i, Hilo, HI
Invitational Exhibition (from The Russell-Cotes Museum, Bournemouth, England), Erlin Gallery, Budapest, Hungary; curated by Mark Brill; October 16 - October 30
25th Anniversary Benefit Selections Exhibition, The Drawing Center, New York, NY; September 21 - October 26
The Fifth Bharat Bhavan International Biennial of Print-Art – 2001, Jawaharkala Kender, Jaipur, India “New York City Etchers,” organized by The New York Society of Etchers, The Art Students League, New York, NY; July 8 - July 26
Invitational Exhibition (from The Russell-Cotes Museum, Bournemouth, England), Galeria Biura Wystaw Artystycznych, Sandomierz, Poland; curated by Mark Brill; July 3 - July 27 “Headed for the Future,” St. Louis Artists’ Guild, St. Louis, MO; juried by Graham Nash and Mac Holbert (Nash Editions); June 9 - July 27
Benefit Auction for Silver Eye Center for Photography, Pittsburgh, PA; April 6
17th Annual International Exhibition, The Meadows Gallery, University of Texas, Tyler, TX; juried by Jürgen Strunck (Professor of Art, University of Dallas); March 25 - May 10
The Fifth Bharat Bhavan International Biennial of Print-Art – 2001, Lalit Kala Academy, New Delhi, India
5th Kochi International Triennial Exhibition of Prints, Inocho, Agawa-gun, Kochi-ken, Japan; March 16 - April 21 “What’s So Funny?: National Works on Paper Biennial,” Bridgewater College Gallery, Bridgewater, VA; juried by Nicholas Roukes (Prof. of Art Emeritus, University of Calgary, Alberta, Canada) |
2001 |
The Fifth Bharat Bhavan International Biennial of Print-Art – 2001, Bhopal, India; December 9, 2001 - January 8, 2002
Invitational Exhibition, The Russell-Cotes Museum, Bournemouth, England; curated by Mark Brill; October 6, 2001 - January 13, 2002
Fellowship 2001, Silver Eye Center for Photography, Pittsburgh, PA; juried by Jean Caslin (Executive Director and Curator, Houston Center for Photography)
Delta National Small Prints Exhibition, Arkansas State University, State University, AR; juried by Daniel Piersol (The Doris Zemurray Stone Curator of Prints and Drawings, The New Orleans Museum of Art); Jim and Wanda Lee Vaughn Purchase Award for permanent
collection, Arkansas State University “For Love or Money,” Dieu Donné Paper Mill, New York, NY “Under the Influence,” Islip Art Museum, Islip, NY; curated by Catherine Valenza (Director, Art League of Long Island); July 7 - September 16 “29 Graveurs New Yorkais à Paris,” Delta Gallery, Paris, France; June 8 - June 24
Invitational Exhibition, Gallery Slad, Elk, Poland; June 1 - June 30
Pacific Rim International Print Exhibition, The Maui Arts and Cultural Center, Kahului, HI; May - July “Photogravure 2001,” Manhattan Graphics Center, New York, NY
16th Annual National Works on Paper Exhibition, University of Texas, Tyler, TX; juried by Richard Ash (Chair of the Art Program and Gallery Director, Midwestern State University, Wichita Falls, TX); March 19 - May 10 “What’s So Funny?: National Works on Paper Biennial,” Medical College of Virginia Galleries, Richmond, VA; juried by Nicholas Roukes (Prof. of Art Emeritus, University of Calgary, Alberta, Canada) “What’s So Funny?: National Works on Paper Biennial,” Piedmont Arts Association, Martinsville, VA; juried by Nicholas Roukes (Prof. of Art Emeritus, University of Calgary, Alberta, Canada)
The University of Dallas 16th National Print Invitational, Texas A&M University, Corpus Christi, TX
The University of Dallas 16th National Print Invitational, Lamar University, Beaumont, TX
Pacific Rim International Print Exhibition, Campus Center Gallery, University of Hawai’i, Hilo, HI; February - April |
2000 |
Invitational Exhibition, Atrium Gallery, Bournemouth University, England; September 15 - October 14
Delta National Small Prints Exhibition, Arkansas State University, State University, AR; juried by Mark Pascale (Associate Curator of Prints and Drawings, Art Institute of Chicago); September 1 - September 22
The University of Dallas 16th National Print Invitational, Warehouse Living Arts Center, Corsicana, TX; August - September “Nocturnes 2000,” online exhibition juried by Lynn Saville, Summer Solstice (June 20) to Autumn Solstice (September 20): http://www.thenocturnes.com
The University of Dallas 16th National Print Invitational, Collin County Community College, Plano, TX “Grafików Amerykanskich,” Galerii Solvay, Kraków, Poland; curated by Jani Konstantinorski Puntos; May “Przestrzenie Grafiki/Spaces of the Graphic Arts,” Galeria Sztuki Wspótczesnej, Kraków, Poland; May
Invitational Exhibition, Duncan of Jordanstone College of Art & Design, Dundee, Scotland; April 17 - April 29 “Millennial Biennial: National Works on Paper Exhibition,” Marsh Art Gallery, University of Richmond, Richmond, VA; juried by Ruth Fine (Curator of Modern Prints and Drawings, National Gallery of Art, Washington, DC); March 13 - July 7 “What’s So Funny?: National Works on Paper Biennial,” Rawls Museum of the Arts, Courtland, VA; juried by Nicholas Roukes (Prof. of Art Emeritus, University of Calgary, Alberta, Canada)
The University of Dallas 16th National Print Invitational, Midwestern State University, Wichita Falls, TX; January 24 - February 23 |
1999 |
“Another View: Selected Works from Contemporary American Printmakers,” Saddleback College Art Gallery, Saddleback College, Mission Viejo, CA; juried by Karen McGuire and Bill Riley
The University of Dallas 16th National Print Invitational, Haggar Gallery, Irving, TX, November- December; purchase prize for permanent collection, University of Dallas “Printmaking Using Photo Processes,” Manhattan Graphics Center, New York, NY; juried by Nancy Princenthal (Contributing Editor, Art on Paper)
1999 National Invitational Works on Paper Exhibition, University of Hawai’i, Hilo, HI “Works on Paper: Recent Drawings, Prints and Photographs,” Louisiana State University, Baton Rouge, LA; juried by Mark Pascale (Associate Curator of Prints, Art Institute of Chicago);
juror’s special selection
1999 Janet Turner National Print Competition, California State University at Chico, Chico, CA; juried by Jan Driesbach (Curator and Interim Director, Crocker Art Museum, Sacramento, CA) “$eeing Money: A Unique Art Event of Uncommon Currency,” Portland Old Town Arts & Culture Foundation, Portland, OR; curated by Helen Gundlach; purchase by The
Huntington Gardens Art Collection |
1998 |
“What’s So Funny?: National Works on Paper Biennial,” Marsh Art Gallery, University of Richmond, Richmond, VA; juried by Nicholas Roukes (Prof. of Art Emeritus, University of Calgary, Alberta, Canada) “What’s So Funny?: National Works on Paper Biennial,” The Library Gallery, Wise, VA; juried by Nicholas Roukes (Prof. of Art Emeritus, University of Calgary, Alberta, Canada)
The Second Minnesota National Print Biennial, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN; juried by Richard Campbell (John E. Andrus III Curator of Prints and Drawings, Minneapolis Institute of Arts) and Christopher Brown
Pacific States Biennial National Print Exhibition, University of Hawai’i, Hilo, HI; juried by Charles Cohan |
1997 |
“Druckgrafik aus New York,” Galerie station3, Vienna, Austria; June 9 – June 19
8th International Biennial Print & Drawing Exhibit, Taipei Fine Arts Museum, Taipei, Republic of China
10th Annual National Print Exhibition, Florida Community College, Jacksonville, FL; juried by Jane Craven
Benefit Auction for Friends Without A Border, Howard Greenberg Gallery, New York, NY; December 8
9th Annual National Print Exhibition, Florida Community College, Jacksonville, FL; juried by
John S. Bunker
2nd Biennial Janet Turner National Print Competition, California State University, Chico, CA;
juried by Karl Kasten
“New Horizons,” The Royal Society of Painter-Printmakers, Bankside Gallery, London, England; May 8 - June 8
Invitational Exhibition, Atelier Aubergine, Quebec, Canada; May 1 - May 25
Print Invitational, The 1912 Gallery, Emory & Henry College, Emory, VA
Exhibition in conjunction with Women in Photography Conference, Marshall/Reade Gallery, Chelsea, MA “A Sense of Place—Leelanau,” Leelanau Historical Museum, Leelanau, MI “Maquette Exhibit,” Galería Salla Una, Rome, Italy |
1996 |
The First Minnesota National Print Biennial, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN; juried by Elizabeth Armstrong (Walker Art Center), Bill Goldston (Director, Universal Limited Art Editions) and Frances Myers; Weisman Art Museum
Purchase Award
Bill Radawec’s Curated ARTExpo Show: Special Iris Display Wall, ARTExpo, Los Angeles, CA
First Biennial Printmaking Exhibition, Hand Workshop Art Center, Richmond, VA; juried by Jan Howard (Baltimore Museum of Art) “Group Show,” MBM Gallery, New York, NY “Printmakers ’96,” University Art Gallery, University of Pittsburgh, Pittsburgh, PA; juried by Carol Pulin (Executive Director, The American Print Alliance) |
1995 |
“A Vital Matrix,” Domestic Setting, Los Angeles, CA; curated by Jane Hart, August 5 - September 16 “SCAN ’95 (Small Computers in the Arts Network),” Silicon Gallery, Philadelphia, PA “Día de los Muertos” (Second Annual), Maude Kerns Art Center, Eugene, OR “Maquette Exhibit,” Museo Valle d’Aosta, Italy |
1994 |
Limited edition print created for The American Print Alliance |
REVIEWS AND BLOGS
Popist: http://popist.com/s/e7dbcb9/
Speak Your Mind: http://dclsma.blogspot.com/2015/02/100-portraits-of-women-artists-by.html
“100 Portraits of Women Artists by Barbara Yoshida,” Feature Shoot, February 16, 2015, by Ellyn Kail:
http://www.featureshoot.com/2015/02/100-portraits-of-women-artists-by-barbara-yoshida/
“Tatamagouche sculptor’s portrait part of Women’s History Month exhibit in New York,” Truro Daily News, February 11, 2015, by Raissa Tetanish; article about Sydney Blum in Salena Gallery exhibition: 100 Portraits: Women Artists
http://www.trurodaily.com/Living/Arts/2015-02-11/article-4040529/Tatamagouche-sculptors-portrait-part-of-Womens-History-Month-exhibit-in-New-York/1
“Photographer Captures 100 Female Artists In Their Homes and Studios,” The Huffington Post, February 5, 2015, by Priscilla Frank:
http://www.huffingtonpost.com/2015/02/05/female-artist-portraits_n_6615342.html
“Moon Viewing: Megaliths By Moonlight by Barbara Yoshida,” F-Stop:A Photography Magazine, November 23, 2014, review of Moon Viewing: Megaliths by Moonlight by Richard Storm:
http://www.fstopmagazine.com/blog/2014/11/book-review-moon-viewing-megaliths-by-moonlight-by-barbara-yoshida/
“Barbara Yoshida: Moon Viewing, Megaliths by Moonlight,” L’Oeil (online), October 15, 2014: review of Moon Viewing: Megaliths by Moonlight:
http://www.loeildelaphotographie.com/2014/10/15/book/26351/barbara-yoshida-moon-viewing-megaliths-by-moonlight?utm_source=Liste+de+diffusion+EN&utm_campaign=820fe822aa-EN_2014_10_14&utm_medium=email&utm_term=0_ae1f055795-820fe822aa-181417901
“Photographing Stone Age Sentinels to the Stars,” Atlas Obscura (blog), September 5, 2014: review of Moon Viewing: Megaliths by Moonlight by Allison Meier:
http://www.atlasobscura.com/articles/photographing-the-stone-age-sentinels-to-the-stars
“11 Photographs of Mysterious Megaliths: Smithsonian Magazine (online), July 3, 2014: review of Moon Viewing: Megaliths, by Moonlight by Erin Corneliussen:
http://www.smithsonianmag.com/arts-culture/photographs-of-mysterious-megaliths-180951790/
“Otherworldly Photos of Mysterious Megalithic Stones,” Slate.com (online), June 29, 2014: review of Moon Viewing: Megaliths by Moonlight by Jordan G. Teicher:
http://www.slate.com/blogs/behold/2014/06/29/barbara_yoshida_photographs_megalithic_stones_in_her_book_moon_viewing_megaliths.html
“Wyjście z cienia,” Warto!, March 2014, pp. 6-7: review of exhibition at BWA Galeria Sztuki w Olsztynie, Olsztyn, Poland by Katarzyna Janków-Mazurkiewicz
“Kobiety Artystki,” Art & Business, January 14, 2014, online magazine; review of exhibition at BWA Galeria Sztuki w Olsztynie, Olsztyn, Poland by Edyta Pękala:
http://www.artbiznes.pl/index.php/kobiety-artystki/
“Feminoteka u Opatów: Wystawa fotografii Barbary Yoshidy,” Polska Dziennik Baltycki, September 2,
2010: review of exhibition at Muzeum Narodowe w Gdańsku by Tadeusz Skutnik
“Hold-fény képek: Barbara Yoshida,” Fotómuvészet, LI. évfolyam, 2008. 1. szám, pp. 62-71: article by
Kemenesi Zsuzsanna with nine full-page photographs of Yoshida’s work
“Szemednek szegzett…,” Élet És Irodalom, November 9, 2007: review of exhibition at Nessim Galéria
by Somhegyi Zoltán
“Mystical megaliths by moonlight,” Budapest Sun, November 8, 2007: review of exhibition at Nessim
Galéria by Andreea Anca
“From Here to Eternity and Back,” St. Augustine Record, August 15, 2003: review of “Time and Space,”
Southeast Museum of Photography, Daytona Beach, FL by Melissa Pracht with section devoted to
Yoshida’s seven photographs in the exhibition
The New York Times, January 5, 2003: review of “Naked” exhibit at Art Upstairs@GHB by Helen A.
Harrison with mention
“Into the Woods,” Printmaking Today, Vol. 10 No. 4, Winter 2001: review by Diane Miller of artist’s book,
Knot Nots: A Fairytale, with reproduction of “Knot Hole” photogravure
“Small Change,” Willamette Week, May 12, 1999: review of “$eeing Money” exhibition, mentioning
“The Three Graces”
Art Papers, September, 1998: review of “What’s So Funny?” exhibition, mentioning “The American
Feminists Series”
“Hillary oben ohne & viel Grünzeug,” Wiener Zeitung, June 20, 1998: review of exhibition at Galerie
station3, Vienna, Austria, with reproduction of two doll-ar bills from “The American First Ladies
Series” and mention
“How absurd! Richmond, it seems, has a funny bone,” Richmond Times-Dispatch, March 31, 1998:
review of “What’s so Funny?” exhibition, mentioning “The American Feminists Series”
“A Huge Exhibition of Prints,” Pittsburgh Post-Gazette, November 9, 1996: review of “Printmakers ’96”
exhibition, mentioning “The American First Ladies Series”
“Photowork ’93: Powerful Images,” Taconic Newspapers, February, 1993: review of exhibition with
photograph of “Trees/Miami”
The Village Voice, December, 1992: review of A/c Projectroom exhibition by Elizabeth (Betsy) Hess
PUBLICATIONS
Moon Viewing: Megaliths by Moonlight, Marquand Books, Seattle, 2014: monograph with 39 of Yoshida’s photographs, an essay by Lucy R. Lippard and a foreword by Linda Connor
Catalog for exhibition of Nancy Graves, Ludwig Forum for International Art, Aachen Germany, October, 2013: photograph of Nancy Graves
The Female Gaze: Women Artists Making Their World, exhibition catalog for The Linda Lee Alter Collection, The Pennsylvania Academy of the Fine Arts, November 17, 2012 – April 14, 2013: photograph of Nancy Spero
Runner’s World, November, 2011, p. 6: photograph of painting of Grete Waitz
Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle, Ed. by Kristine
Stiles, Duke University Press, Durham & London, 2010, p. 447: three photographs of Carolee
Schneemann
Night and Low-Light Photography: Professional Techniques from Experts for Artistic and Commercial
Success, Watson-Guptill, August, 2008: five moonlight photographs and text
Newsletter of the International Dark-Sky Association, Issue #66, August, 2006: photograph of
“Grandson Menhir—Moonlight, Grandson, Switzerland”
“Photographing Summer Nights,” Double Exposure online magazine, July 1, 2006: photograph of “Ales
Stenar Stone Ship—Moonlight, Ystad, Sweden”: http://www.photoworkshop.com
Luna Córnea, No. 27, 2004 (S84 ISSN 0188-8005), pp. 271, 272: two photographs from the series,
Syracuse Wrestlers
Annual Report: 2003 -2004, The MacDowell Colony: photograph of the Lodge by moonlight
Printmaking Today, Vol. 12 No. 2, Summer 2003, p. 15: reproduction of Van Dyke Brown print, “Block
Island Gull-2”
Imaging Her Erotics, MIT Press, 2001: two photographs of Carolee Schneemann
Women Artists in the 20th and 21st Century, Ed. by Uta Grosenick, Köln: Taschen GmbH, 2001:
photograph of Carolee Schneemann
The Colorado Review, summer 2000, Vol. XXVII, No. 2, Colorado State University literary magazine:
cover photograph
The Whitney Museum of American Art website, 1999: photograph of Carolee Schneemann
Exploring Color Photography, 3rd Edition, McGraw Hill, 1997: photograph of Iris print, “The Three
Graces”
The New York Times, August, 1996: photograph of theater production
Time Capsule: A Concise Encyclopedia by Women Artists, Creative Time, Inc., September, 1995: full-
page reproduction of “doll-ar bills”
The Village Voice, August, 1995: photograph of theater production
Catalog of Plays and Musicals, 1995, The Dramatic Publishing Company, p. RR28: photograph of
theater production
Theoretically Yours, Assessorato Pubblica Istruzione, Collins & Milazzo, 1992, p. 122: photograph of
Annette Lemieux
Contemporary American Women Artists, Cedco Publishing Co., 1991: photograph of Jackie Winsor
Daily News, December, 1994: full-page reproduction of “Triple Moon-Goddess with Maple” and exhibit
information
Daily News, October, 1993: photograph of theater production
Northern Sky/Southern Sky: Sky Lobby Frescoes, Sony Music Entertainment: photograph of Dorothea
Rockburne
ARTnews, October, 1993: photograph of Beverly Pepper
Peggy Cyphers: Lexicons of Paradise, E.M. Donahue Gallery, New York, NY, May, 1993: photograph
of Peggy Cyphers
Woodstock Times, April, 1993: photograph of Carolee Schneemann
BIBLIOGRAPHY
“Photographer Captures Essences of Life, Death,” The Islander, August 21, 2003: article in conjunction
with exhibition at Dorr Museum of Natural History, College of the Atlantic, Bar Harbor, ME
Michigan Natural Resources Magazine, September, 1997: article and photograph of “Deer Carcass”
The Traverse City Record Eagle, Traverse City, MI, October, 1996: article and photograph of “Deer
Skull with Apples"
The Coeur d’Alene Press, August, 1995: front-page article in conjunction with North Idaho College
retrospective, including photographs of the artist and her work
“Prints and Politics: Funny Money,” Contemporary Impressions (journal of The American Print
Alliance), spring, 1995: article about doll-ar bill project with original print of “The Three Graces”
included in each issue
Contact Sheet 81, Light Work, summer, 1994: photograph of “Transformation-1,” from the series
Conversations with a Dead Pig, and “Doll and Tree-2” with essay by Amy Hufnagel
Women: Images and Realities, A Multicultural Anthology of Women in the US, Mayfield Publishing Co.,
autumn, 1994: Yoshida's article entitled "Taking It Lying Down...In the Street!"
“Women Gain Clout in Ireland,” New Directions for Women, October, 1993: Yoshida’s photo essay
CATALOGS
The View Project, catalog for exhibition at Palm Beach Photographic Center, August 26 – November 15,
2011 and at Naples Museum of Art, Naples, FL, December 18, 2010 – March 13, 2011; curated by
Joyce Tenneson
Barbara Yoshida: 80 Portretów, catalog for exhibition at Muzeum Narodowe w Gdańsku (National
Museum), Gdańsk, Poland, September 3 – October 10, 2010
International Invitational Works on Paper exhibition catalog, University of Hawai’i, Hilo, HI; September,
2009 – April, 2010
FotoFest catalog, 2006: three photographs from moonlight standing stones series and essay by Stuart
McHardy
2006 Kaunas Photo Days exhibition catalog, Kaunas, Lithuania
2006 Friends Without A Border auction catalog
2005 Friends Without A Border auction catalog
“Dialogue: Paris & New York,” catalog for exhibitions at Salena Gallery, Long Island University,
Brooklyn, NY; The Center for Book Arts, New York, NY; Abrons Art Center, New York, NY; and
Atelier Lacourière Frélaut, Paris, France
2004 8th Annual Friends of Friends photography auction catalog, December 7: photograph of “Brodgar
Stones—Moonlight”
2003 Texas Photographic Society’s TPS 12: The National Competition exhibition catalog, p. 22:
photograph
2002 Pacific States Biennial National Print Exhibition, University of Hawai’i, Hilo, HI; October 4, 2002 -
January 15, 2003
2002 Silver Eye Center for Photography Benefit auction catalog, p. 10, April 6: photograph of “Pumpkin
Field, Coldwater, Michigan”
The 12th Space International Print Biennial, Sungkok Museum, Seoul, Korea; November 5 - November
24, 2002
Invitational Exhibition (from The Russell-Cotes Museum, Bournemouth, England), Galeria Biura
Wystaw Artystycznych, Sandomierz, Poland; curated by Mark Brill; July, 2002
5th Kochi International Triennial Exhibition of Prints, Inocho, Agawa-gun, Kochi-ken, Japan; March 16 -
April 21, 2002
The Fifth Bharat Bhavan International Biennial of Print-Art – 2001, Bhopal, India; December 9, 2001 -
January 8, 2002
Delta National Small Prints Exhibition, Bradbury Gallery, Fowler Center, Arkansas State University,
October 26-December 1, 2001
Delta National Small Prints Exhibition, Fine Arts Center Gallery, Arkansas State University, November 6
- 29, 2000
Przestrzenie Grafiki/Spaces of the Graphic Arts exhibition catalog, Galeria Sztuki Wspótczesnej,
Kraków, Poland, 2000
Works on Paper: 1999 International Exhibition, exhibition catalog, Campus Center Gallery, University of
Hawai’i, Hilo, HI, February 1999 - January 2000
8th International Biennial Print & Drawing Exhibition, Taipei Fine Arts Museum, Taipei, Republic of
China, 1998
The Second Minnesota National Print Biennial exhibition catalog, 1998
The First Minnesota National Print Biennial exhibition catalog, 1996
A Vital Matrix, exhibition catalog, August 5 – September 16, 1995, with essay by Tobey Crockett and
photograph of “Transformation-1,” from the series Conversations with a Dead Pig
Carrefour du Verre, exhibition catalog, M.J.C. (Maison des Jeunes et de la Culture), Arbois, France, 1992
INTERVIEWS AND LINKS
Chris Flisher for “Turning of the Wheel” radio show, November 21, 2014:
http://www.chrisflisher.com/spiritual_adventure/radio_archives.html
Brooklyn Museum / Feminist Art Base:
http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/barbara_yoshida.php
Susan Silas and Chrysanne Stathacos for MOMMY:
http://www.mommybysilasandstathacos.com/2012/12/16/a-conversation-with-barbara-yoshida/
(containing photographs + a short video clip), December 2012)
Małgorzata Żerwe for Radio Gdańsk, Gdańsk, Poland, September 2, 2010
Duna TV, Budapest, Hungary, in conjunction with exhibition at Nessim Galéria, October 26, 2007
István Dékán, Editor in Chief of fotovilag Hungarian website for photography, October 25, 2007;
interview can be viewed on this web site: go to the home page and click on NEWS to the right of
BIOGRAPHY
Duna TV, Budapest, Hungary, in conjunction with exhibition at ART9 Galéria, May 18, 2007
Pamela Crimmins for http://www.artcritical.com, containing four photographs, July, 2006
Interlochen Public Radio, Interlochen, MI: interview during artist residency at Sleeping Bear Dunes
National Lakeshore, 1996
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THEATER & FILM
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2011 |
“Pay It No Mind: Marsha P. Johnson,” documentary by Michael Kasino: portrait of
Marsha P. Johnson |
2008 |
“The Dream of Kaguya,” by Kazuhiko Sato, organized by Japan Aerospace Exploration
Agency, 2008: three moonlight photographs |
1994-
1996 |
Company Photographer, Peculiar Works Project, New York, NY |
1994 |
Artistic Associate on Macbeth for Falstaff Presents at CSC Theatre, New York, NY |
ARTIST PRESENTATIONS, JURIES AND PANELS
| |
2014 |
Presentation: Stonework Symposium 2014, The Stone Foundation, Schoodic Point, ME |
2010 |
Presentation: Muzeum Narodowe w Gdańsku (National Museum), Gdańsk, Poland |
2006 |
Juror: Sixth Minnesota National Print Biennial, University of Minnesota, Minneapolis, MN |
2005 |
Panel in conjunction with the exhibition “Dialogue: Paris & New York,” The Center for Book
Arts, New York, NY |
2003 |
Presentation: George B. Dorr Museum of Natural History, College of the Atlantic, Bar Harbor,
ME |
2003 |
Presentation: Southeast Museum of Photography, Daytona Beach, FL |
2003 |
Presentation: St. John’s University, Jamaica, NY |
2002 |
Presentation: Alice Austen House Museum, Staten Island, NY |
2000 |
Presentation: Grantmakers in the Arts Conference, Minneapolis, MN |
1999 |
Presentation: Hampshire College, Amherst, MA |
1999 |
Presentation: Isle Royale National Park, Houghton, MI |
1998 |
Panel in conjunction with 16th Annual Celebration of Our Work Conference: Women and The
Arts, Rutgers University, New Brunswick, NJ |
1997 |
Presentation: Tyler School of Art, Rome, Italy |
1997 |
Panel moderator, Fifth National Conference of Women in Photography, Simmons Institute,
Boston, MA |
1997 |
Presentation: Apostle Islands National Lakeshore, Bayfield, WI |
1997 |
Panel moderator, Feminist Art & Art History Conference, Barnard College, NY: working group
entitled “Feminist Iconography” |
1995 |
Presentation: North Idaho College, Coeur d’Alene, ID |
RESIDENCIES/FELLOWSHIPS
|
2002 |
The Atlantic Center for the Arts, New Smyrna Beach, FL (selected by Graciela Iturbide) |
2002 |
Glacier National Park, MT |
2001 |
Poinsett State Park, Wedgefield, SC |
2000 |
Blacklock Nature Sanctuary, Moose Lake, MN; Nadine Blacklock Fellowship |
2000 |
The MacDowell Colony, Peterborough, NH |
1999 |
Ucross Foundation, Clearmont, WY |
1999 |
Isle Royale National Park, Houghton, MI |
1998 |
The MacDowell Colony, Peterborough, NH |
1998 |
Buffalo National River, Harrison, AR |
1997 |
Acadia National Park, ME |
1997 |
Apostle Islands National Lakeshore, Bayfield, WI |
1996 |
Sleeping Bear Dunes National Lakeshore, MI |
1995 |
Manhattan Graphics Center, New York, NY; scholarship |
1994 |
Light Work, Syracuse University, Syracuse, NY |
ACADEMIC
Columbia University, New York, NY (Japanese language)
M.A., Hunter College, City University of New York, NY (Ray Parker/painting), 1973
School of Visual Arts, New York, NY (painting), 1970
Art Students League, New York, NY (Robert Beverly Hale/anatomy), 1979
Internationale Somerakademie für Bildende Kunst, Salzburg, Austria, 1967
B.A., University of Washington, Seattle, WA, 1969
Teaching workshops in Van Dyke Brown technique, Manhattan Graphics Center, New York, NY, 1996-1999 |
ARTIST AT THE BRONX ZOO, BRONX, NY
|
1997 |
The Congo Forest, a gorilla habitat |
SELECTED COLLECTIONS
The Demarco Skateraw Project, Scotland; Museet for Fotokunst Brandts Klaedefabrik, Odense, Denmark; Southeast Museum of Photography, Daytona Beach, FL; George B. Dorr Museum of Natural History, Bar Harbor, ME; New York Public Library, New York City; Newark Public Library, Newark, NJ; Free Library of Philadelphia, Philadelphia, PA; Frederick R. Weisman Art Museum, Minneapolis, MN; The Huntington Gardens Art Collection, San Marino, CA; The MacDowell Colony; Nixon Peabody LLP, New York City; Bissel Corporation; Polaroid Corporation; Sony USA; Shannon Wilkinson Associates, New York City; The University of Dallas; Arkansas State University; Light Work; The Dramatic Publishing Company; Paula Cooper Gallery; LedisFlam Gallery; Andre Emmerich Gallery; Nessim Galéria; Gallery Tomos; Ryu Gallery; Safe-T Gallery; Sleeping Bear Dunes National Lakeshore; Apostle Islands National Lakeshore; Acadia National Park; Buffalo National River; Isle Royale National Park; Poinsett State Park.
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